Takemitsu’s Rain Tree Sketch II: Making Silence Part of the Score

A Listening Map of 50 Piano Works · Article 47

Rain Tree Sketch II is dedicated to Messiaen. Notes do not continuously fill time; they fall like drops and allow resonance to grow. Silence is not sound’s opposite but the space in which sound completes its shape.

Map sound and silence

Event Do not immediately Instead hear
Single note or chord Predict the next phrase Resonance changing colour
Brief group Join it into hurried melody Distance between groups
Stronger eruption Remember volume alone How silence is repartitioned

Rain is not uniform background

Register and dynamic give drops size and distance. High sound may leave cold light; bass changes the weight of the whole space. If pedal retains every resonance equally, the rain loses depth.

An attention practice

  1. Do not name emotion when sound appears.
  2. Wait for resonance to change before breathing.
  3. Record which silence carries greatest tension.

The piece changes listening from waiting for the next note to noticing what the present note is still doing.

Suggested Listening

Ricardo Descalzo: listen to this work on YouTube (Ricardo Descalzo)

Descalzo’s video preserves natural resonance. Hear it in a quiet room with autoplay disabled so the final silence can remain complete.

If you would like to bring these ideas about listening, understanding, and practice to the keyboard, you might try ScoreFlow, an app I developed to make score reading and daily practice flow more naturally together.


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