
Brass instruments change notes by altering the effective length of the vibrating air column. A trumpet uses valves to divert air through extra tubing; a trombone lengthens or shortens the tube directly. On a modern tenor trombone, players commonly learn seven slide positions, but the tube carries no position marks, and each position can produce several notes from the harmonic series through changes in the lips and airflow.
The slide is therefore not a row of invisible buttons. Because it moves continuously, the player must place each note with the ear and arm. Small adjustments can also correct the tuning of harmonics that do not sit exactly in equal temperament. The cost is that rapid shifts across distant positions can be awkward; the gain is that pitch can travel through the space between notes. A true trombone glissando is not vague movement between fixed notes, but a continuous change of tube length under a sustained airstream.
This changes what is worth hearing. Listen for whether the pitch settles after the attack, and whether a connection between positions is clean, smooth or deliberately sliding. Valve trombones exist, and many trombones include rotary-valve attachments, but the main slide survives for musical reasons. It joins intonation, continuity and bodily movement. On a piano, pitch is largely fixed once the key is struck; on a trombone, the player remains responsible for shaping pitch throughout the sounding note.
https://www.yamaha.com/en/musical_instrument_guide/trombone/mechanism/mechanism004.html
https://hub.yamaha.com/winds/brass/trumpet-vs-trombone/
https://www.metmuseum.org/art/collection/search/503835
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