
The modern mandolin commonly has eight steel strings, but they do not provide eight independent pitches. They form four courses, each usually tuned as a unison pair, with the courses arranged in fifths—G, D, A and E—like a violin. A plectrum strikes both strings of a course, while the fretting hand treats the pair as one string.
The pairing does not extend the instrument's range; it changes the character of each pluck. Two strings beginning almost together give a small-bodied instrument more weight, while tiny differences in pitch, amplitude and decay add a faint beating shimmer. In tremolo, rapid alternate strokes join many brief attacks into a line that can seem sustained and breathing. The result is not merely louder, but wider and more alive.
There is a cost. If the two strings are not accurately matched, useful animation becomes distracting beating; if the pick catches only one, the attack changes weight. Listen, then, for how unison acquires breadth. The idea resembles a piano's multiple strings for one note, but a piano hammer strikes them in one action, whereas the mandolin player controls each renewed contact. Paired strings are both an acoustic design and a tactile discipline.
https://www.britannica.com/art/mandolin
https://mimo-international.com/MIMO/doc/IFD/MINIM_UK_UEDIN_1292/neapolitan-mandolin
https://www.rosenberg-library-museum.org/treasures/neapolitan-mandolin-from-galveston-mandolin-orchestra
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