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Geoffrey Chen

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Tag: Piano Practice

Adult Piano Practice Should Not Stay at One Tempo

速度, 钢琴练习, Motor Learning, Piano Practice, Tempo, 动作学习

When Should Piano Fingering Be Fixed—and When Should It Change?

Building a Piano Piece, 钢琴练习, 钢琴指法, Movement Planning, Piano Fingering, Piano Practice, 动作规划, 一首曲子怎样练成

Once the Notes Are Correct, How Do You Practise Melody, Balance, and Direction?

Building a Piano Piece, 钢琴练习, 音乐表现, Musical Expression, Piano Practice, Voicing and Balance, 声部与层次, 一首曲子怎样练成

Should the Sustain Pedal Follow the Score, the Harmony, or the Ear?

Building a Piano Piece, 钢琴练习, 钢琴踏板, Harmony and Listening, piano pedalling, Piano Practice, 和声与聆听, 一首曲子怎样练成

When Is a Piano Piece Truly Learned?

Building a Piano Piece, 稳定演奏, 钢琴练习, Performance Readiness, Piano Practice, Reliable Performance, 一首曲子怎样练成, 演奏准备

How Slowly Should You Practise Before Slow Practice Changes the Movement?

Building a Piano Piece, 钢琴练习, Motor Learning, Piano Practice, Slow Practice, 动作学习, 慢练, 一首曲子怎样练成

How Should You Use a Metronome Without Turning Rhythm into Mechanical Counting?

Building a Piano Piece, 节奏与时值, 节拍器练习, 钢琴练习, Metronome Practice, Piano Practice, Rhythm and Timing, 一首曲子怎样练成

How Many Times Should You Repeat a Passage Before Repetition Becomes Practice?

Building a Piano Piece, 练习重复, 钢琴练习, Feedback and Retention, Piano Practice, Practice Repetition, 反馈与保持, 一首曲子怎样练成

When a Difficult Passage Keeps Failing, Should You Repeat It or Change the Task?

Building a Piano Piece, Difficult Passages, 钢琴练习, 问题解决, 难点练习, Piano Practice, Problem Solving, 一首曲子怎样练成

When Does Hands-Separate Practice Help—and When Must the Hands Reunite?

Bimanual Coordination, Building a Piano Piece, 钢琴练习, Hands-Separate Practice, Piano Practice, 分手练习, 双手协调, 一首曲子怎样练成

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