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Geoffrey Chen

Where life, thought, and technology meet

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    • Music Listening Notes
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    • Hear the Chord
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    • 88 Pianists
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    • Hearing Mathematics
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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Is the Exposition of a Sonata Often Repeated?

音乐重复, Musical Repetition, Sonata Form, 奏鸣曲式

Why Horn Players Put Their Right Hand in the Bell

Brass Technique, 铜管技巧, French Horn, 圆号

Why Is the Thumb Not Absolutely Forbidden on Black Keys?

钢琴指法, 键盘地形, Keyboard Geography, Piano Fingering, Thumb Technique, 拇指技巧

Why Does the Orchestra Usually Tune to the Oboe?

音准, Intonation, Oboe, Orchestral Tuning, 双簧管, 乐团调音

Why Can Timpani Produce a Definite Pitch?

配器, Orchestration, Timpani, 定音鼓

Why Should Simultaneous Chord Notes Not All Sound Equally Loud?

Chord Voicing, 钢琴触键, Piano Touch, 和弦配置

Why Does the Clarinet Jump a Twelfth Between Registers?

Acoustics, Clarinet, 单簧管, 声学

Why Do First and Second Endings Still Go Wrong after the Repeat Is Learnt?

练习导航, Practice Navigation, Repeat Endings, 反复结尾

Why Does a String Mute Change Colour, Not Just Volume?

音色, String Mutes, Timbre, 弦乐弱音器

Why Is Portamento More Than a Blurred Connection Between Notes?

Portamento, String Performance, 弦乐演奏, 滑音

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