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Geoffrey Chen

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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Should the Hardest Passage Set the Practice Tempo?

练习速度, Difficult Passages, 难点练习, Practice Tempo

Why Are Piano Hammers Covered with Felt?

钢琴音色, 钢琴槌, Piano Hammers, Piano Tone

Why Do the Shoulders Tighten Before a Difficult Passage?

肩部紧张, 钢琴技巧, piano technique, Shoulder Tension

Why Does a Classical Concerto Often Present Its Opening Twice?

Concerto Form, 莫扎特, 音乐聆听, Mozart, Musical Listening, 协奏曲曲式

Why Does a Grand Piano Lid Open at Different Angles?

钢琴声学, Grand Piano, Piano Acoustics, 三角钢琴

Why Do Fast Repeated Notes Often Need Alternating Fingers?

钢琴指法, Piano Fingering, Repeated Notes, 反复音

Why Do Two Reed Blades Vibrate Face to Face on an Oboe?

Double Reed, Oboe, 双簧片, 双簧管

Why Can a Familiar Piece Falter When Someone Is Listening?

Performance Anxiety, Performance Practice, 演出练习, 演奏焦虑

Why Do Piano Bass Strings Cross Over the Treble Strings?

Cross-stringing, 钢琴结构, Piano Construction, 交叉弦列

Why Is a Violin’s Soundpost Held Without Glue?

Instrument Acoustics, Violin, 小提琴, 乐器声学

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