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Geoffrey Chen

Where life, thought, and technology meet

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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Can Parallel Chords Move Without Traditional Resolution?

Claude Debussy, Parallel Harmony, 平行和声, 德彪西

Why Do Piano Treble Notes Often Use Three Strings?

钢琴音色, 钢琴弦, Piano Strings, Piano Tone

Why Is a Trill Not Two Fingers Racing Independently?

钢琴颤音, Movement Coordination, Piano Trills, 动作协调

Why Are Piano Bass Strings Wound with Copper?

Bass Strings, 钢琴声学, Piano Acoustics, 低音弦

Why Shouldn’t You Force a Chord Beyond Your Hand Span?

钢琴技巧, Hand Span, piano technique, 手幅

Why Can’t Every Fifth on a Piano Be Tuned Pure?

Equal Temperament, 钢琴调律, Piano Tuning, 十二平均律

Why Is the Left Pedal More Than a Volume Control?

钢琴音色, Piano Tone, Una Corda, 左踏板

Why Is Concert Pitch a Coordination Standard, Not a Law of Nature?

Concert Pitch, 钢琴调律, Piano Tuning, 标准音高

Why Shouldn’t the Metronome Click on Every Beat?

节奏练习, 节拍器, Metronome, Rhythm Practice

Why Does the Dominant Seventh Resolve So Strongly?

Dominant Seventh, harmony, 和声, 属七和弦

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