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Geoffrey Chen

Where life, thought, and technology meet

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    • Music Listening Notes
    • Hear the Melody
    • Hear the Chord
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    • 88 Pianists
    • Building a Piano Piece: From First Reading to Reliable Performance
    • Hearing Mathematics
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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Practise Melody and Bass Before the Full Texture?

织体简化, 钢琴练习, Piano Practice, Texture Reduction

Why Doesn’t the Viola Have One Standard Full Size?

Instrument Making, Viola, 中提琴, 乐器制作

Why Shouldn’t Every Phrase Ending Use the Same Hand Lift?

Adult Piano Learning, 钢琴乐句, Movement, Piano Phrasing, 成人钢琴学习, 活动

Why Does a Cello Use an Endpin on the Floor?

Cello, Performance Practice, 大提琴, 演出练习

Why Can’t a Descending Scale Be Treated as Ascending in Reverse?

钢琴技巧, 音阶指法, piano technique, Scale Fingering

Why Does a Violin Bridge Have a Curved Top?

Bowing, Bridge, 琴桥, Violin, 小提琴, 弓法

Why Shouldn’t Dynamics Wait Until All the Notes Are Correct?

Dynamics, 钢琴练习, Piano Practice, 力度

Why Doesn’t Una Corda Always Mean One String?

钢琴踏板, Piano Pedals, Una Corda, 左踏板

Why Can a Silently Held Key Join the Resonance?

钢琴共鸣, Listening Practice, Piano Resonance, 听觉练习

Why Does a Trumpet Mute Change Colour, Not Just Volume?

Mutes, Trumpet, 小号, 弱音器

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