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Geoffrey Chen

Where life, thought, and technology meet

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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Shouldn’t an Accidental Be Reinterpreted Note by Note?

Accidentals, 读谱, Score Reading, 临时升降号

Why Do Tubular Bells Use Metal Tubes to Imitate Church Bells?

管钟, 管弦打击乐, Orchestral Percussion, Tubular Bells

Why Can Sitting Too Close Leave the Arms Nowhere to Move?

Bench Distance, 琴凳距离, 钢琴坐姿, Piano Posture

Why Do String Sections Stagger Bow Changes on Long Notes?

Bowing, String Orchestra, 弓法, 弦乐队

Why Does the Middle Pedal Sustain Only Notes Already Held?

选择性延音, 钢琴踏板, piano pedalling, Selective Sustain, Sostenuto Pedal, 中踏板

Why Does a Tuning Fork Give an Almost Pure Pitch?

音叉, 音乐声学, 调音, Musical Acoustics, Tuning, Tuning Fork

Why Should Repeated Melody Notes Not All Sound the Same?

钢琴练习, Phrasing, Piano Practice, Repeated Notes, 反复音, 乐句处理

Why Do Ties and Slurs Look Alike but Mean Different Things?

Articulation, 音乐记谱, Music Notation, 发音法

Why Is a Strong Beat Not Simply the Loudest Beat?

钢琴表达, 音乐节拍, Musical Metre, Piano Expression

Why Do Violin Bows Use Horsehair?

Bowed Strings, 马尾毛, Horsehair, Violin Bow, 小提琴弓, 弓弦乐器

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