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Geoffrey Chen

Where life, thought, and technology meet

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    • Music Listening Notes
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    • 88 Pianists
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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Can Looking at Your Hands Break the Flow of Score Reading?

视觉注意, 视奏, sight-reading, Visual Attention

Why Do Horn Players Keep a Hand in the Bell?

Brass Technique, 铜管技巧, French Horn, 圆号

Why Shouldn’t the Top Note of a Scale Become an Automatic Accent?

钢琴协调, 音阶练习, Piano Coordination, Scale Practice

What Do Eight-Foot and Four-Foot Organ Stops Mean?

管风琴, 音栓, Organ Stops, Pipe Organ

Why Doesn’t the Ring Finger Need to Lift Like the Index Finger?

钢琴技巧, Finger Individuation, piano technique, Ring Finger, 四指, 手指独立性

Why Are Orchestral Cymbals Dampened Against the Body?

Cymbals, 管弦打击乐, Damping, 钹, 阻尼, Orchestral Percussion

Why Doesn’t Hands-Separate Practice Automatically Combine?

Bimanual Coordination, 钢琴练习, Piano Practice, 双手协调

Why Do Snare Wires Give the Snare Drum Its Voice?

Percussion, Snare Drum, 小鼓, 打击乐

Why Do Score Line Breaks Cause a Hesitation?

钢琴练习, 音乐读谱, Music Reading, Piano Practice

Why Do Castanets Use Two Hollow Wooden Shells?

Castanets, Percussion, 响板, 打击乐

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