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Geoffrey Chen

Where life, thought, and technology meet

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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Can a Prepared Piano Sound Like a Percussion Ensemble?

约翰·凯奇, 音色, 预置钢琴, John Cage, Prepared Piano, Timbre

Why Can’t Syncopation Be Played by Simply Accenting Harder?

节奏, Inner Pulse, Rhythm, Syncopation, 内部节拍, 切分音

Why Can’t an Accordion Key Sound on Its Own?

Accordion, Bellows, 自由簧片, 风箱, Free Reed, 手风琴

Why Does Releasing a Piano Key Matter as Much as Pressing It?

钢琴触键, Motor Control, Piano Articulation, 动作控制

How Do the Diabelli Variations Travel So Far from a Simple Waltz?

Beethoven, 贝多芬, Variation Form, 变奏曲

Why Must Page Turns Be Practised Too?

翻页, 钢琴练习, Page Turns, Piano Practice

Why Does the Waldstein Sonata’s Second Theme Feel So Far Away?

Beethoven, 钢琴奏鸣曲, 贝多芬, Piano Sonata

Why Does a Da Capo Aria Repeat Its Opening?

Baroque Music, Da Capo Aria, 返始咏叹调, 巴洛克音乐

Why Must Finger Numbers Not Replace Reading Notes?

钢琴指法, 音乐读谱, Music Reading, Piano Fingering

Why Are There Rotating Discs Inside a Vibraphone’s Resonators?

震音, 颤音琴, Tremolo, Vibraphone

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