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Geoffrey Chen

Where life, thought, and technology meet

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    • Music Listening Notes
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    • 88 Pianists
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    • Hearing Mathematics
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Category: Piano

A personal archive of piano practice, performance, and reflection. These entries document an ongoing engagement with music as both technical discipline and lived experience, rather than formal publication or instruction.

Why Does the Double Bass Sound an Octave Below Its Score?

Double Bass, 音乐记谱, Musical Notation, 低音提琴

Why Is It Worth Blocking an Arpeggio into Chords First?

Arpeggios, 钢琴练习, Piano Practice, 分解和弦

Why Does a Snare Drum Have Wires Under Its Bottom Head?

Percussion, Snare Drum, 小鼓, 打击乐

Why Do Harps Use Red and Blue Strings?

竖琴, Harp, Instrument Design, 乐器设计

Why Do the Strings Cross Inside a Modern Piano?

Cross-stringing, 钢琴结构, Piano Construction, 交叉弦列

Why Does an Upbeat Belong to What Follows?

Phrasing, Upbeat, 弱起, 乐句处理

Why Can a Triangle Carry Through an Orchestra Without a Single Pitch?

配器, Orchestration, Triangle, 三角铁

Why Isn’t Piano Bench Height a Fixed Number?

钢琴技巧, piano technique, Posture, 坐姿

Why Does a Violin Bow Need Rosin?

Rosin, Violin, 小提琴, 松香

Why Can’t Practising Everything Softly Prepare the Full Dynamic Range?

练习方法, 钢琴力度, Piano Dynamics, Practice Methods

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