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Geoffrey Chen

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Category: 88 Pianists

Inspired by the piano’s 88 keys, this series profiles 88 composers, performers and teachers who changed the history of the instrument and shaped how piano music is written, played, taught and heard.

Nelson Freire: Natural Nobility Without Theatrics

钢琴, 钢琴演奏, Nelson Freire, Piano, Piano Performance, 内尔松·弗莱雷

Maria João Pires: Resisting Display through Listening

玛丽亚·若昂·皮雷斯, 钢琴, 钢琴教育, 钢琴演奏, Maria João Pires, Piano, Piano Pedagogy, Piano Performance

Maurizio Pollini: Precision Is Not Indifference

钢琴, 钢琴演奏, Maurizio Pollini, Piano, Piano Performance, 毛里齐奥·波利尼

Daniel Barenboim: From the Keyboard to Orchestra and Public Dialogue

Daniel Barenboim, 钢琴, 钢琴教育, 钢琴演奏, Piano, Piano Pedagogy, Piano Performance, 丹尼尔·巴伦博伊姆

Martha Argerich: Speed, Instinct and Playing Together

玛塔·阿格里奇, 钢琴, 钢琴教育, 钢琴演奏, Martha Argerich, Piano, Piano Pedagogy, Piano Performance

Vladimir Ashkenazy: Mapping the Repertoire through Recording

钢琴, 钢琴演奏, Piano, Piano Performance, Vladimir Ashkenazy, 弗拉基米尔·阿什肯纳齐

Fou Ts’ong: Building a Bridge Between Chinese Poetics and Chopin

钢琴, 钢琴教育, 钢琴演奏, Fou Ts'ong, Piano, Piano Pedagogy, Piano Performance, 傅聪

Glenn Gould: Turning the Studio into a Second Instrument

钢琴, 钢琴演奏, Glenn Gould, Piano, Piano Performance, 格伦·古尔德

Alfred Brendel: Making Performance an Act of Lucid Thought

Alfred Brendel, 钢琴, 钢琴教育, 钢琴演奏, 阿尔弗雷德·布伦德尔, Piano, Piano Pedagogy, Piano Performance

Tatiana Nikolayeva: From a Bach Competition to Shostakovich

钢琴, 钢琴音乐, 钢琴教育, Piano, Piano Music, Piano Pedagogy, Tatiana Nikolayeva, 塔季扬娜·尼古拉耶娃

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