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https:\/\/philharmonia.co.uk\/resources\/instruments\/double-bass\/<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"The double bass is usually tuned in fourths because its long scale makes fifths physically demanding, favouring playable reaches over family-wide symmetry.","_geoff_meta_description_zh":"\u4f4e\u97f3\u63d0\u7434\u901a\u5e38\u6309\u56db\u5ea6\u800c\u975e\u4e94\u5ea6\u8c03\u5f26\uff0c\u5173\u952e\u4e0d\u5728\u7406\u8bba\u6574\u9f50\uff0c\u800c\u5728\u957f\u5f26\u4e0e\u5927\u97f3\u7a0b\u9020\u6210\u7684\u624b\u90e8\u8de8\u5ea6\uff1b\u8fd9\u79cd\u9009\u62e9\u8ba9\u5e38\u7528\u4f4e\u97f3\u7ebf\u66f4\u53ef\u64cd\u4f5c\uff0c\u4e5f\u663e\u793a\u4e50\u5668\u5236\u5ea6\u5fc5\u987b\u670d\u4ece\u8eab\u4f53\u4e0e\u6750\u6599\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787299907,787300232,787300233,787299908],"class_list":["post-19939","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-double-bass","tag-string-tuning","tag-string-tuning-zh","tag-double-bass-zh",""],"translatepress_titles":{"en_AU":"Why Is the Double Bass Tuned in Fourths?","zh_CN":"\u4f4e\u97f3\u63d0\u7434\u4e3a\u4ec0\u4e48\u6309\u56db\u5ea6\u8c03\u5f26\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-5bB","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/19939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=19939"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/19939\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=19939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=19939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=19939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/www.britannica.com\/art\/double-bass<\/a><\/p>\n