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https:\/\/hub.yamaha.com\/music-educators\/instruments\/winds-instruments\/five-facts-about-the-piccolo\/<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"The piccolo is written an octave below its sounding pitch for readability, separating note identity from register and orchestral colour.","_geoff_meta_description_zh":"\u77ed\u7b1b\u628a\u5b9e\u9645\u9ad8\u97f3\u8bb0\u4f4e\u4e00\u4e2a\u516b\u5ea6\uff0c\u662f\u4e3a\u4e86\u8ba9\u8c31\u9762\u6613\u8bfb\u3002\u672c\u6587\u533a\u5206\u516b\u5ea6\u79fb\u8c03\u4e0e\u8c03\u6027\u79fb\u8c03\uff0c\u5e76\u8bf4\u660e\u8fd9\u79cd\u7ea6\u5b9a\u5982\u4f55\u5f71\u54cd\u603b\u8c31\u9605\u8bfb\u548c\u4e50\u961f\u97f3\u8272\u8046\u542c\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787299922,787299924,787298125,787298124,787299921,787299923],"class_list":["post-19649","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-piccolo-zh","tag-transposing-instruments-zh","tag-orchestration-zh","tag-orchestration","tag-piccolo","tag-transposing-instruments",""],"translatepress_titles":{"en_AU":"Why Does the Piccolo Sound an Octave Above Its Score?","zh_CN":"\u77ed\u7b1b\u4e3a\u4ec0\u4e48\u6bd4\u4e50\u8c31\u9ad8\u4e00\u4e2a\u516b\u5ea6\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-56V","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/19649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=19649"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/19649\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=19649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=19649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=19649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/theinstrumentalist.com\/december-2015-flute-talk\/piccolo-tuning\/<\/a><\/p>\n