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https:\/\/philharmonia.co.uk\/resources\/instruments\/double-bass\/<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"The double bass sounds an octave below its notation: a score-reading convention that reduces ledger lines without altering fingering or interval shapes.","_geoff_meta_description_zh":"\u4f4e\u97f3\u63d0\u7434\u7684\u8bb0\u8c31\u97f3\u6bd4\u5b9e\u54cd\u9ad8\u4e00\u4e2a\u516b\u5ea6\uff0c\u8fd9\u4e0d\u662f\u6539\u53d8\u6307\u6cd5\u7684\u79fb\u8c03\uff0c\u800c\u662f\u51cf\u5c11\u4f4e\u97f3\u8c31\u8868\u4e0b\u65b9\u52a0\u7ebf\u3001\u8ba9\u4e50\u8c31\u66f4\u6613\u8bfb\uff0c\u5e76\u8ba9\u540c\u4e00\u4f4e\u97f3\u7ebf\u83b7\u5f97\u66f4\u6df1\u6839\u57fa\u7684\u60ef\u4f8b\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787299907,787299910,787299909,787299908],"class_list":["post-19636","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-double-bass","tag-musical-notation-zh","tag-musical-notation","tag-double-bass-zh",""],"translatepress_titles":{"en_AU":"Why Does the Double Bass Sound an Octave Below Its Score?","zh_CN":"\u4f4e\u97f3\u63d0\u7434\u4e3a\u4ec0\u4e48\u6bd4\u4e50\u8c31\u4f4e\u4e00\u4e2a\u516b\u5ea6\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-56I","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/19636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=19636"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/19636\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=19636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=19636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=19636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/www.britannica.com\/art\/double-bass<\/a><\/p>\n