{"id":19532,"date":"2026-09-08T22:25:24","date_gmt":"2026-09-08T12:25:24","guid":{"rendered":"https:\/\/geoffreychen.com\/why-orchestras-sometimes-separate-the-two-violin-sections\/"},"modified":"2026-09-08T22:25:24","modified_gmt":"2026-09-08T12:25:24","slug":"why-orchestras-sometimes-separate-the-two-violin-sections","status":"publish","type":"post","link":"https:\/\/geoffreychen.com\/zh\/why-orchestras-sometimes-separate-the-two-violin-sections\/","title":{"rendered":"\u4e24\u7ec4\u5c0f\u63d0\u7434\u4e3a\u4ec0\u4e48\u6709\u65f6\u5206\u5750\u821e\u53f0\u4e24\u4fa7\uff1f"},"content":{"rendered":"<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/public-assets.geoffreychen.com\/wordpress\/articles\/why-orchestras-sometimes-separate-the-two-violin-sections\/005a4718e1639bafb45d79c0.jpg?w=1140&#038;ssl=1\" alt=\"\u4e24\u7ec4\u5c0f\u63d0\u7434\u4e3a\u4ec0\u4e48\u6709\u65f6\u5206\u5750\u821e\u53f0\u4e24\u4fa7\uff1f\" 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href=\"https:\/\/www.jaxsymphony.org\/musical-chairs-why-orchestras-sit-the-way-they-do\/\" rel=\"nofollow\">https:\/\/www.jaxsymphony.org\/musical-chairs-why-orchestras-sit-the-way-they-do\/<\/a><br \/><a href=\"https:\/\/www.berliner-philharmoniker.de\/en\/stories\/who-decides-the-seating-arrangement-of-the-musicians-on-stage\/\" rel=\"nofollow\">https:\/\/www.berliner-philharmoniker.de\/en\/stories\/who-decides-the-seating-arrangement-of-the-musicians-on-stage\/<\/a><br \/><a href=\"https:\/\/www.cincinnatisymphony.org\/about\/watch-listen\/fanfare-cincinnati\/november&#8211;december-2024\/inside-the-orchestra-musical-chairs\/\" rel=\"nofollow\">https:\/\/www.cincinnatisymphony.org\/about\/watch-listen\/fanfare-cincinnati\/november&#8211;december-2024\/inside-the-orchestra-musical-chairs\/<\/a><\/p>\n<p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Why divided violins can turn written exchanges into audible space, while also changing ensemble listening, blend and the conductor\u2019s balance 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