{"id":19103,"date":"2026-09-04T02:59:09","date_gmt":"2026-09-03T16:59:09","guid":{"rendered":"https:\/\/geoffreychen.com\/why-portamento-is-not-a-blurred-connection-between-notes\/"},"modified":"2026-09-04T02:59:09","modified_gmt":"2026-09-03T16:59:09","slug":"why-portamento-is-not-a-blurred-connection-between-notes","status":"publish","type":"post","link":"https:\/\/geoffreychen.com\/zh\/why-portamento-is-not-a-blurred-connection-between-notes\/","title":{"rendered":"\u6ed1\u97f3\u4e3a\u4ec0\u4e48\u4e0d\u662f\u628a\u4e24\u4e2a\u97f3\u542b\u7cca\u5730\u8fde\u8d77\u6765\uff1f"},"content":{"rendered":"<\/p>\n

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\u94a2\u7434\u4e0d\u80fd\u590d\u5236\u8fde\u7eed\u97f3\u9ad8\uff0c\u5374\u80fd\u4ece\u6ed1\u97f3\u5b66\u4e60\u4e50\u53e5\u601d\u7ef4\uff1a\u4e24\u4e2a\u97f3\u4e4b\u95f4\u4e0d\u662f\u7a7a\u767d\uff0c\u800c\u662f\u4e00\u6bb5\u6709\u53bb\u5411\u7684\u65f6\u95f4\u3002\u8046\u542c\u5f26\u4e50\u65f6\uff0c\u4e0d\u59a8\u6ce8\u610f\u6ed1\u97f3\u600e\u6837\u79bb\u5f00\u524d\u97f3\u3001\u600e\u6837\u62b5\u8fbe\u540e\u97f3\uff1b\u8fd9\u6bd4\u53ea\u5224\u65ad\u201c\u6709\u6ca1\u6709\u6ed1\u201d\u66f4\u63a5\u8fd1\u6f14\u594f\u7684\u5b9e\u8d28\u3002<\/p>\n

https:\/\/www.cambridge.org\/core\/journals\/journal-of-the-royal-musical-association\/article\/bowing-styles-vibrato-and-portamento-in-nineteenthcentury-violin-playing\/5E8C582B69188CFF66F5F733F6E319C3<\/a>
https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/01411890600860733<\/a>
https:\/\/www.phys.unsw.edu.au\/jw\/reprints\/portamento.pdf<\/a><\/p>\n

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