{"id":18987,"date":"2026-09-02T21:18:38","date_gmt":"2026-09-02T11:18:38","guid":{"rendered":"https:\/\/geoffreychen.com\/why-parallel-chords-can-move-without-traditional-resolution\/"},"modified":"2026-09-02T21:18:38","modified_gmt":"2026-09-02T11:18:38","slug":"why-parallel-chords-can-move-without-traditional-resolution","status":"publish","type":"post","link":"https:\/\/geoffreychen.com\/zh\/why-parallel-chords-can-move-without-traditional-resolution\/","title":{"rendered":"\u5e73\u884c\u548c\u5f26\u4e3a\u4ec0\u4e48\u79fb\u52a8\u800c\u4e0d\u5fc5\u4f20\u7edf\u89e3\u51b3\uff1f"},"content":{"rendered":"<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/public-assets.geoffreychen.com\/wordpress\/articles\/why-parallel-chords-can-move-without-traditional-resolution\/5e16e7b558292654d3509f35.jpg?w=1140&#038;ssl=1\" alt=\"\u5e73\u884c\u548c\u5f26\u4e3a\u4ec0\u4e48\u79fb\u52a8\u800c\u4e0d\u5fc5\u4f20\u7edf\u89e3\u51b3\uff1f\" 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\/><a href=\"https:\/\/www.teoria.com\/en\/articles\/2021\/debussy-preludes\/10\/index.php\" rel=\"nofollow\">https:\/\/www.teoria.com\/en\/articles\/2021\/debussy-preludes\/10\/index.php<\/a><br \/><a href=\"https:\/\/www.jaimeoliver.pe\/nyu-analysis\" rel=\"nofollow\">https:\/\/www.jaimeoliver.pe\/nyu-analysis<\/a><\/p>\n<p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Parallel chords move a whole sonority through pitch space, weakening functional voice-leading while register, bass and phrase shape preserve musical 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