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https:\/\/imslp.org\/wiki\/3_Gymnop%C3%A9dies_(Satie%2C_Erik)<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Satie\u2019s First Gymnop\u00e9die stays coherent through its steady triple pulse, harmonic pacing and returning melody, not through exaggerated rubato.","_geoff_meta_description_zh":"\u8428\u8482\u300a\u7b2c\u4e00\u9996\u88f8\u4f53\u821e\u66f2\u300b\u901f\u5ea6\u7f13\u6162\uff0c\u5374\u7531\u7a33\u5b9a\u7684\u4e09\u62cd\u4f34\u594f\u3001\u548c\u58f0\u66f4\u66ff\u4e0e\u65cb\u5f8b\u56de\u8fd4\u7ef4\u6301\u65b9\u5411\uff1b\u6f14\u594f\u4e0d\u5e94\u9760\u4efb\u610f\u62d6\u62cd\u5236\u9020\u6c14\u6c1b\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787295158,787298237,787298901,787298900,787298236,787295159],"class_list":["post-18818","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-erik-satie","tag-musical-time-zh","tag-gymnopedie-zh","tag-gymnopedie","tag-musical-time","tag-erik-satie-zh",""],"translatepress_titles":{"en_AU":"Why Does Satie\u2019s First Gymnop\u00e9die Stay Coherent at a Slow Tempo?","zh_CN":"\u8428\u8482\u7684\u300a\u7b2c\u4e00\u9996\u88f8\u4f53\u821e\u66f2\u300b\u4e3a\u4ec0\u4e48\u6162\u800c\u4e0d\u6563\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-4Tw","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=18818"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18818\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=18818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=18818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=18818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb14840588t<\/a>
https:\/\/thereader.mitpress.mit.edu\/the-many-sides-of-erik-satie\/<\/a><\/p>\n