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https:\/\/www.loc.gov\/collections\/dance-instruction-manuals-from-1490-to-1920\/articles-and-essays\/western-social-dance-an-overview-of-the-collection\/baroque-dance\/<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"A minuet's triple metre grows from two-bar dance steps, shifting weight and courtly space; performers should hear movement, turns and breath rather than count mechanically.","_geoff_meta_description_zh":"\u5c0f\u6b65\u821e\u66f2\u7684\u4e09\u62cd\u5e76\u975e\u673a\u68b0\u8ba1\u6570\uff0c\u800c\u6765\u81ea\u4e24\u5c0f\u8282\u821e\u6b65\u3001\u8eab\u4f53\u91cd\u5fc3\u4e0e\u793c\u4eea\u7a7a\u95f4\u5171\u540c\u5f62\u6210\u7684\u8282\u594f\uff1b\u6f14\u594f\u65f6\u8981\u542c\u89c1\u884c\u8fdb\u3001\u8f6c\u8eab\u548c\u547c\u5438\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787298828,787298829,787298826,787298827],"class_list":["post-18766","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-dance-rhythm","tag-dance-rhythm-zh","tag-minuet","tag-minuet-zh",""],"translatepress_titles":{"en_AU":"Why Is a Minuet More Than a Neat Triple Metre?","zh_CN":"\u5c0f\u6b65\u821e\u66f2\u4e3a\u4ec0\u4e48\u4e0d\u53ea\u662f\u7aef\u6b63\u7684\u4e09\u62cd\u5b50\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-4SG","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=18766"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18766\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=18766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=18766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=18766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/www.metmuseum.org\/art\/collection\/search\/334060<\/a>
https:\/\/imslp.org\/wiki\/Minuet_in_G_major%2C_K.1%2F1e_%28Mozart%2C_Wolfgang_Amadeus%29<\/a><\/p>\n