{"id":18746,"date":"2026-08-29T20:19:48","date_gmt":"2026-08-29T10:19:48","guid":{"rendered":"https:\/\/geoffreychen.com\/why-an-inverted-melody-still-sounds-related\/"},"modified":"2026-08-29T20:19:48","modified_gmt":"2026-08-29T10:19:48","slug":"why-an-inverted-melody-still-sounds-related","status":"publish","type":"post","link":"https:\/\/geoffreychen.com\/zh\/why-an-inverted-melody-still-sounds-related\/","title":{"rendered":"\u65cb\u5f8b\u4e0a\u4e0b\u98a0\u5012\u4ee5\u540e\uff0c\u4e3a\u4ec0\u4e48\u4ecd\u80fd\u542c\u51fa\u539f\u6765\u7684\u5f71\u5b50\uff1f"},"content":{"rendered":"<\/p>\n

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https:\/\/musictheory.pugetsound.edu\/mt21c\/MelodicAlteration.html<\/a>
https:\/\/imslp.org\/wiki\/Die_Kunst_der_Fuge%2C_BWV_1080_%28Bach%2C_Johann_Sebastian%29<\/a><\/p>\n

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