{"id":18688,"date":"2026-08-29T11:43:15","date_gmt":"2026-08-29T01:43:15","guid":{"rendered":"https:\/\/geoffreychen.com\/why-an-appoggiatura-needs-the-beat\/"},"modified":"2026-08-29T11:43:15","modified_gmt":"2026-08-29T01:43:15","slug":"why-an-appoggiatura-needs-the-beat","status":"publish","type":"post","link":"https:\/\/geoffreychen.com\/zh\/why-an-appoggiatura-needs-the-beat\/","title":{"rendered":"\u501a\u97f3\u4e3a\u4ec0\u4e48\u8981\u5360\u636e\u62cd\u70b9\uff0c\u624d\u6709\u771f\u6b63\u7684\u91cd\u91cf\uff1f"},"content":{"rendered":"<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/public-assets.geoffreychen.com\/wordpress\/articles\/why-an-appoggiatura-needs-the-beat\/7db39abc4645b5f252ff3573.jpg?w=1140&#038;ssl=1\" alt=\"\u501a\u97f3\u4e3a\u4ec0\u4e48\u8981\u5360\u636e\u62cd\u70b9\uff0c\u624d\u6709\u771f\u6b63\u7684\u91cd\u91cf\uff1f\" 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href=\"https:\/\/musictheory.pugetsound.edu\/mt21c\/Appoggiatura.html\" rel=\"nofollow\">https:\/\/musictheory.pugetsound.edu\/mt21c\/Appoggiatura.html<\/a><br \/><a href=\"https:\/\/musictheory.pugetsound.edu\/mt21c\/NonChordTonesIntroduction.html\" rel=\"nofollow\">https:\/\/musictheory.pugetsound.edu\/mt21c\/NonChordTonesIntroduction.html<\/a><\/p>\n<p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"An appoggiatura gains expressive weight by arriving on the beat as a dissonance, occupying real musical time before resolving by 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