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https:\/\/musictheory.pugetsound.edu\/mt21c\/AugmentedSixthIntroduction.html<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Using A-flat and F-sharp in C minor, this essay shows how an augmented-sixth chord approaches the dominant from both sides and intensifies a cadence.","_geoff_meta_description_zh":"\u4ee5 C \u5c0f\u8c03\u4e2d\u7684\u964d A \u4e0e\u5347 F \u4e3a\u4f8b\uff0c\u8bf4\u660e\u589e\u516d\u548c\u5f26\u5982\u4f55\u4ece\u4e0a\u4e0b\u4e24\u4e2a\u534a\u97f3\u540c\u65f6\u8d8b\u5411\u5c5e\u97f3\uff0c\u5e76\u628a\u964c\u751f\u8272\u5f69\u8f6c\u5316\u4e3a\u660e\u786e\u7684\u7ec8\u6b62\u65b9\u5411\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787298687,787298226,787298688,787294825],"class_list":["post-18655","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-augmented-sixth-chords","tag-voice-leading","tag-augmented-sixth-chords-zh","tag-787294825",""],"translatepress_titles":{"en_AU":"Why Do Augmented-Sixth Chords Converge on the Dominant?","zh_CN":"\u589e\u516d\u548c\u5f26\u4e3a\u4ec0\u4e48\u4f1a\u4ece\u4e24\u8fb9\u6324\u5411\u5c5e\u97f3\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-4QT","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=18655"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18655\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=18655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=18655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=18655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/musictheory.pugetsound.edu\/mt21c\/TypesOfAugmentedSixthChords.html<\/a><\/p>\n