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https:\/\/musictheory.pugetsound.edu\/mt21c\/ScaleDegreeNames.html<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"The leading note gains its pull from semitone proximity, dominant harmony and tonal context; performers should hear direction rather than merely raise a pitch.","_geoff_meta_description_zh":"\u5bfc\u97f3\u7684\u8d8b\u5411\u611f\u6765\u81ea\u534a\u97f3\u8ddd\u79bb\u3001\u5c5e\u548c\u58f0\u4e0e\u8c03\u6027\u8bed\u5883\u5171\u540c\u5efa\u7acb\u7684\u542c\u89c9\u671f\u5f85\uff1b\u6f14\u594f\u65f6\u5e94\u542c\u89c1\u65b9\u5411\uff0c\u800c\u4e0d\u53ea\u662f\u673a\u68b0\u5347\u9ad8\u4e00\u4e2a\u97f3\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787298679,787298676,787298678,787298677],"class_list":["post-18643","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-tonal-harmony-zh","tag-leading-note","tag-tonal-harmony","tag-leading-note-zh",""],"translatepress_titles":{"en_AU":"Why Does the Leading Note Pull Towards the Tonic?","zh_CN":"\u5bfc\u97f3\u4e3a\u4ec0\u4e48\u50cf\u5728\u628a\u97f3\u4e50\u63a8\u56de\u4e3b\u97f3\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-4QH","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=18643"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18643\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=18643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=18643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=18643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/musictheory.pugetsound.edu\/mt21c\/HarmonicFunction.html<\/a><\/p>\n