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https:\/\/www.sfopera.com\/learn\/about-opera\/from-aria-to-vibrato-a-glossary-of-opera-terms\/<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Recitative follows the accents of speech, yet pitch, bass and harmonic arrivals still organise its time and preserve dramatic direction.","_geoff_meta_description_zh":"\u672c\u6587\u8bf4\u660e\u5ba3\u53d9\u8c03\u5982\u4f55\u501f\u6587\u5b57\u91cd\u97f3\u548c\u8bf4\u8bdd\u8282\u594f\u63a8\u8fdb\u5267\u60c5\uff0c\u540c\u65f6\u7531\u97f3\u9ad8\u3001\u4f4e\u97f3\u4e0e\u548c\u58f0\u8282\u70b9\u7ec4\u7ec7\u65f6\u95f4\uff0c\u5e76\u89e3\u91ca\u6f14\u594f\u81ea\u7531\u4e3a\u4f55\u5fc5\u987b\u4fdd\u5b58\u620f\u5267\u65b9\u5411\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787298515,787298513,787298514,787298516],"class_list":["post-18508","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-opera","tag-recitative","tag-recitative-zh","tag-opera-zh",""],"translatepress_titles":{"en_AU":"Why Does Recitative Sound Like Speech Yet Remain Music?","zh_CN":"\u5ba3\u53d9\u8c03\u4e3a\u4ec0\u4e48\u50cf\u8bf4\u8bdd\uff0c\u5374\u4ecd\u7136\u662f\u97f3\u4e50\uff1f"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-4Ow","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=18508"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/18508\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=18508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=18508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=18508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/www.sfopera.com\/blog\/backstage-with-matthew\/2019\/backstage-with-matthew-the-music-of-conversation\/<\/a><\/p>\n