{"id":17941,"date":"2026-08-22T23:45:05","date_gmt":"2026-08-22T13:45:05","guid":{"rendered":"https:\/\/geoffreychen.com\/why-a-cadenza-is-more-than-solo-display\/"},"modified":"2026-08-22T23:45:05","modified_gmt":"2026-08-22T13:45:05","slug":"why-a-cadenza-is-more-than-solo-display","status":"publish","type":"post","link":"https:\/\/geoffreychen.com\/zh\/why-a-cadenza-is-more-than-solo-display\/","title":{"rendered":"\u534e\u5f69\u6bb5\u4e3a\u4ec0\u4e48\u4e0d\u53ea\u662f\u72ec\u594f\u5bb6\u7684\u70ab\u6280\uff1f"},"content":{"rendered":"<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/public-assets.geoffreychen.com\/wordpress\/articles\/why-a-cadenza-is-more-than-solo-display\/ee3035afd9ba86cefbd3120c.jpg?w=1140&#038;ssl=1\" alt=\"\u534e\u5f69\u6bb5\u4e3a\u4ec0\u4e48\u4e0d\u53ea\u662f\u72ec\u594f\u5bb6\u7684\u70ab\u6280\uff1f\" 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href=\"https:\/\/www.laphil.com\/works\/piano-concerto-no-25-in-c-major-k-503\" rel=\"nofollow\">https:\/\/www.laphil.com\/works\/piano-concerto-no-25-in-c-major-k-503<\/a><br \/><a href=\"https:\/\/www.laphil.com\/works\/piano-concerto-no-12-k-414\" rel=\"nofollow\">https:\/\/www.laphil.com\/works\/piano-concerto-no-12-k-414<\/a><br \/><a href=\"https:\/\/dme.mozarteum.at\/DME\/objs\/pdf\/nma_153_-23_-3_eng.pdf\" rel=\"nofollow\">https:\/\/dme.mozarteum.at\/DME\/objs\/pdf\/nma_153_-23_-3_eng.pdf<\/a><\/p>\n<p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Explains why a concerto cadenza is structural, not just virtuoso display: it prolongs tension, recalls earlier material, and cues the orchestra\u2019s 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