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https:\/\/www.laphil.com\/works\/sonata-for-two-pianos-and-percussion<\/a> ","protected":false},"excerpt":{"rendered":"","protected":false},"author":17897162,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_geoff_meta_description_en":"Bart\u00f3k\u2019s piano percussiveness isn\u2019t about hitting harder; it foregrounds each note\u2019s attack, rhythm grouping and timbre so strength and restraint can coexist.","_geoff_meta_description_zh":"\u5df4\u6258\u514b\u7684\u94a2\u7434\u201c\u6253\u51fb\u6027\u201d\u5e76\u975e\u8ba9\u4eba\u7528\u529b\u6572\u51fb\uff0c\u800c\u662f\u628a\u97f3\u7684\u8d77\u70b9\u3001\u8282\u594f\u7ec4\u5408\u4e0e\u97f3\u8272\u5dee\u5f02\u63a8\u5230\u524d\u666f\uff0c\u4f7f\u529b\u91cf\u4e0e\u514b\u5236\u540c\u4e00\u624b\u52bf\u4e2d\u5e76\u5b58\u3002","_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[787297389],"tags":[787294960,787294837,787297504,787297503,787297505,787297502],"class_list":["post-17699","post","type-post","status-publish","format-standard","hentry","category-western-music","tag-bela-bartok","tag-787294837","tag-piano-and-percussion-zh","tag-piano-and-percussion","tag-rhythm","tag-bela-bartok-zh",""],"translatepress_titles":{"en_AU":"Why Bart\u00f3k Made the Piano Sound Percussive","zh_CN":"\u5df4\u6258\u514b\u4e3a\u4ec0\u4e48\u8ba9\u94a2\u7434\u50cf\u6253\u51fb\u4e50\u5668"},"jetpack_publicize_connections":[],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1ar9H-4Bt","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/17699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/users\/17897162"}],"replies":[{"embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/comments?post=17699"}],"version-history":[{"count":0,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/posts\/17699\/revisions"}],"wp:attachment":[{"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/media?parent=17699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/categories?post=17699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geoffreychen.com\/zh\/wp-json\/wp\/v2\/tags?post=17699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/www.paul-sacher-stiftung.ch\/en\/about-us\/history\/2018\/2018-09-Bartok-Konzert-MAB-en.html<\/a>
https:\/\/imslp.org\/wiki\/Allegro_barbaro%2C_Sz.49_%28Bart%C3%B3k%2C_B%C3%A9la%29<\/a><\/p>\n